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Kandagan Dance

Kandagan Dance

Kandagan daughter dance is a dance that dashing character, this form of dance dance dance Renggarini in the development of the epidemic in 1960 by reformers Sundanese dance, Raden Tjetje Somantri.

History In 1957 Tjetje Wadon Somantri create mask dance, just Wadon not match the name of the dance form, so the name was changed to renggarini. Howdah means competing in the good sense. Rini means woman, so Renggarini can be defined as a woman who behaved like a man or woman who is active.

The difference of the two dance in grammar and usage Soder clothing or long sampur. Renggarini dance headdress form iket design development, while at the dance Kandagan using siger with hair forming a small gambuh thereon. Renggarini the use of dance clothing kebaya amputated dark red, with green edges, Kandagan dance while wearing a cap amputated, short black collar.

Differences in cosmetology is not dihiar Godeg Renggarini geulis in dance because not wear susumping, hair rolled up in iket hidden. Dance wear hair in a bun Kandagan complete cosmetology Kandagan. Kandagan container means, a place to store jewelry and other valuables. Hence, the name could also intended Kandagan dance assemblages dance movements.

In practice, dance Kandagan including the spunky daughter dance, this dance requires skill talent and a long training to master. To form the dance choreography for beginners Kandagan process usually begins with the preparation of the body for dancing.

In the show, a dance performed Kandagan single, but historians can also danced together, of course with the same dancer character is spunky princess character. Kandagan dance movement has a diverse wealth built by subject motion and motion transition. Aside from that, to learn to dance the dance Kandagan needed attitude and motion as patterns that drive to the show. Such as the attitude of the head, body, legs, and hands. So is the movement of the head, body, legs and arms. Just like the spunky character of the dance, and motion in applying have different attitudes to the Goddess and Sulintang dance.

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