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Guel Dance

Guel Dance (Aceh)

Guel Dance is one of the cultural treasures Gayo in Aceh. Guel mean sounding. Particularly in upland areas Gayo, this dance has a long and unique story. The researchers said the dance and dance choreographer is not just a dance. He is a combination of literary arts, music and dance itself.During its development, dance Guel spending heavily, but Guel to dance tradition, especially in certain ceremonies. Guel fully appreciation of the natural form, then strung together in such a way lingkkungan through symbolic movements and pounding rhythms. This dance is informative media. Cohesion in solid match between Satra art, music / sound, motion allowing for development (collaboration) in accordance with the spirit of the times, and change the mindset of local communities. Guel certainly have a philosophy based on his history. The range of 90's dance is the object of research in a number of surveyors and abroad.

Local Government Special Region of Aceh when it also fielded a team under the coordination Department of Education (Forums), and is exactly the name of Drs Original Kesuma, Mursalan Ardy, Drs Abdrrahman Moese, and Ibrahim Kadir who entered the survey then considered very useful for the younger generation, artists, to find an almost perfect description of the dance guel. Partial results of this study that I try to argue, much less is a document / dance is little literature can be obtained.

Dancer On the ground Gayo, formerly known so many dancers Guel. Like Sheikh Ishak in Kampung Kutelintang-Pegasing, Aman Wednesday at village-Bebesen helmsman, CEH Regom in Toweren. Another dancer waktun period 1992 to 1993 when it was still alive-Kampung Aman Jaya Kutelintang, Umer-Bebesen, Sheikh Midin-Silih Nara tweezers, Safie-Gelu Gele-Pegasing Lungi, Item Majid-Bebesen. Their average time was 60s. There is now deceased so that over generations of dancers to be a serious obstacle.Although there are dancers who were born because talent alone, not directly taught in theory and practice by expert dancers as mentioned, they do not sepiawai dancing skills predecessors. Likewise drumming accompaniment music drover like Tambourine increasingly rare, let alone want to equate to a refinery in the founding figures of the late Sheikh Kemili Bebesen.

Dance scene of Guel divided into four raw. Mu chapter consists of staring, Dep Act II, Act III Ketibung, Act IV Chopped Jackfruit. Variety is the basis of motion or motion Salam Mahseer (Munatap), Kepur Nunguk, Sining Leech, Semer Cans (Sengker Kalang), Dah-Board. While the number of the dancers in the development consists of a group of men and women ranging from 8-10 (Female), 2-4 (Men). Male dancers in each performance always appears as a symbol and a prima donna, symbolizing safe Manyak or lintoe Baroe and Teacher Didong. Number of drummers are usually at least 4 people that are beating Canang, Gong, Tambourine, and Memong. Guel Dance is unique, the authors feel the experience contains elements of hard and soft elements blend character and earthy. If the players really mastered this dance, especially the role of the White Elephant Sengeda and then the audience will feel tremendous awe. As if the pertarungaan and influence efforts between Sengeda and white elephant. Apparent attempt to subdue, to kipasan Gayo openwork fabric in Squad Dancers as containing exceptional strength along taarian. Guel from the scene of to the other until after the scene of always offering a helping hand like a pair of lovers dancing in the middle of his parents' anxiety. o there are winners and losers in this dance, because the dedication and engagement of motion and eye gaze are a symbol of love. But unfortunately, now it's like losing a dance Guel Its mother, because the government is very concern especially frenzied onslaught of modern music such as keyboard at any wedding in the area.

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